In Pedro Almodóvar’s film Todo Sobre Mi Madre(All About My Mother) the use of color is
employed greatly throughout the film. For the audience, sight is a very
important, because it is one more medium through which the narrative is
transmitted. Color, or lack thereof, is a vital part of this visual means
through which the story is told to the audience. Almodóvar takes advantage of
it in the telling of this narrative because it influences the emotions and
senses of the audience. In fact, color is so dramatically used in some
situations that the stories of these women are seemingly narrated by its use, as
if it had a role of its own in the film.
The use of color is an artistic technique that persists
throughout the entirety of the film. This allows the audience to really take
note of its vibrant qualities in some moments and its muted nature in others.
This application enables the audience to build a relationship with the use of
color the way they would be able to do with another character in the film. Color
acts as a visual stimulant for the audience, and the director plays with this
in extremes in the film. The scenes tend to be either extremely colorful and
lively or dull and monochromatic. For example, the scenes in Madrid are
expressed by a lack of the vibrant colors that are often utilized in other
scenes of the movie, which is not to say that color is not utilized in certain
scenes and they come out as black and white, but rather that the color comes
out muted and dark. The character of the narration becomes gloomier at this
point in the film. This is representative since her son’s accident happens in
Madrid. After she moves to Barcelona and begins to pick up and put back
together the pieces of her life, the scenes burst with brilliant colors. At
this point, the nature of the narration that color supplies is much more
lively. These lively colors deliver a big impact on the audience, because they
are such a visual stimulant, but also because they come to represent Manuela
and the other women working through their hardships to continue with life.
The use of color in the extremes captures the attention of
viewers making them note its importance to the telling of the narrative. It is
the relationship the audience can build with the use of color because of its
persistence throughout the film’s entirety and the way in which it highlights
the significance of certain themes in the lives of the women in order to help
communicate their stories that personify color for the viewers. Color takes on
a role of its own in the film, similar to that of a narrator, because it is
always there to help express the story.
I think that Iska makes a really good point here. I also think it's worthy to note that color by means of weather contributed to the sense of the film. I noticed that when the weather was dark or gloomy, it generally foreshadowed something equally as dark or gloomy. One of the best examples of this is the scene where Manuela's son dies. The scene is set in rainy darkness, which helps to set the mood for the impending death of her son.
ReplyDeleteI agree with both Emma and Iska about the nature of color in the film. I also found it interesting that the color red played such a dominant role in the film. Both Huma Roja and Lola, as well as Agrado have vivid red hair and nails. Red signifies, or can be interpreted to signify the fight for life. Lola is dying, Huma Roja is old, and Agrado is past her prime as a prostitute. Despite this, all three make comebacks to continue fighting for their happiness.
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